Soul Thieves: The Appropriation and Misrepresentation of African American Culture.
T. Brown and B.Copano; 2014.
July 18, 2017
One of my all time favorite exploitation films is FIGHT FOR YOUR LIFE (1977). What an absolute thrill it was for me to conduct the 40th Anniversary interview with the director; Mr. Robert A. Endelson! Check the link out on the "Writing" page...
Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity. Allyson Nadia Field, 2015.
August 1, 2019
Confirmed: I’m pleased to announce that I’ll be introducing a series of African American “action films" (Blaxploitation films!) in Amsterdam, Netherlands—the final week of Sept. and the first week of Oct. 2019. On the roster: (1970; “Cotton Comes to Harlem”: credited with igniting the genre); “Shaft” (1971; the most well-known film from the genre—even re-made this year with Samuel L. Jackson); and “Superfly” (1972; for which I just completed a 3,000-word monograph for the American Library of Congress)…
May 14, 2019
My working relationship with the National Recording Academy (Library of Congress) continues. I'm thrilled to announce that my latest is up and running. (LINK on writing page)...
April 18, 2016
I'm interviewed in the current edition of Closer magazine. The article is entitled: "Cher: Looking for Love at 70!" By Deborah Skolnic.
June 10, 2019
A Los Angeles Times profile on costume designer Bob Mackie reveals that he keeps a copy of Josiah Howard's Cher: Strong Enough in the center of the bottom shelf of his in-home awards display case--beneath his nine Emmy Awards! (photo supplied by Bruce Barton).
Josiah Howard's Blaxploitation Cinema: The Essential Reference Guide (now in a fourth printing) is required Cinema Studies reading. Below is a sampling of works that reference Blaxploitation Cinema extensively.
PAM GRIER: February 26, 2014
FLIP WILSON: March 26, 2014
COOLEY HIGH (film): April 2, 2014
BILL DUKE: April 9, 2014
RICHARD ROUNDTREE: March 25, 2015
January 14, 2019
ReelzChannel: I'm featured extensively in tonight's episode of "Donna Summer: Disco Queen". It kicks off a "Love to Love The Seventies" week of programming featuring the decades biggest stars. Check out the teaser link on the "Press" page ...
August 23, 2017
I'm very excited to announce that I've been included in the family of motion picture industry reviewers known as IMDB Pro (the subscription service) industry standard. The film review that did it: Halle Berry's KIDNAP!
Jan 5, 2018
A great interview this morning with American Urban Radio Network's Tanya Hart! AURN is a conglomerate of 300 radio stations and has 25 Million daily listeners!
Black Women and Popular Culture: The Conversation Continues. Adria Y. Goldman and Vanatta S. Ford; 2014.
Magical Musical Tour: Rock and Pop in Film Soundtracks. K.J. Donnelly; 2015.
August 21, 2016
I was excited to learn that Pulitzer Prize-winning playwright Michal Chabon cited Blaxploitation Cinema: The Essential Reference Guide in his 2012 book Telegraph Avenue! (One of the main characters is a Blaxploitation film actor.)
The Black Body in Ecstasy: Reading Race, Reading Pornography. Jennifer C. Nash, 2014.
July 26, 2019
Here's a 2,000-word edit of my 3,000-word essay for the LOC. This version appears at The National Recording Academy. (Link on writing page).
Oct. 24, 2014
I did an interview with BUZZFEED whose focus was "paint downs" (the motion picture industry term for darkening the color of a stunt person's skin to match ethnic actors).
The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series. Steve Aldous, 2015.
July 15, 2015
My latest review for Furious Cinema: "The Cell"(2000)
Fifteen years after it first dazzled, thrilled, disgusted and challenged audiences, The Cell, the story of a woman’s descent into the warped, violent, fantasy-filled mind of a serial killer, still fascinates.
Utilizing a performer known for her striking visual presentation—brought to vivid life in her still-going-strong career as a pop singer—Jennifer Lopez expands on the opportunities afforded her in the stellar Selena—and brings her signature, highly marketable, earthiness—used to great advantage in million dollar concoctions like Maid in Manhattan and Monster in Law, to an unabashed, unapologetic, genuinely unsettling film.
As exhausted “exceptionally talented” case worker Catherine Deans—at times a willing inhabitant of the minds of her patients, Jennifer Lopez is many things; all at once: a sword wielding leather-clad dominatrix, a serene, caped and ethereal Virgin Mary, a couture swathed winged and be-feathered bird-woman and, of course, “Jenny from the Block”: a stunningly beautiful, exquisite bodied movie star in possession of an uncommon naturalness.
It’s heady stuff this treatise on the disenfranchised, misunderstood and, as it turns out, un-diagnosed. Illicit desires and hidden depravity are a part of The Cell’s sordid mix. So is an omnipresent essential truth: none of us is in control of anything and if proof be needed, some of us will be captured like animals, put on display and tortured—while a camera obscenely documents and broadcasts our demise for the demented enjoyment of others.
In the role of Peter Novak, a police detective who seems to know a lot about suffering and being an outsider, Vince Vaughan equals Lopez in his commitment to character. Confused but determined, lazy but unrelenting, he is a real person struggling with unreal situations: what exactly is the protocol when entering a person’s mind—especially when that person is a comatose sadistic murderer who holds the key to his last, barely still alive, victim’s whereabouts?
Vincent D’Onofrio is Carl Stargher the serial killer whose “cell” (a glass enclosed chamber that he holds people in—and then slowly fills with water) is the centerpiece of the film. A jittery, plain-faced, misanthrope who collects dolls, hallucinates and self mutilates—a hook bound, hanging-from-the rafters masturbation scene is repulsively personal, D’Onofrio creates a character that we both despise and through our privileged visits into his twisted, abuse filled mind, are not wholly surprised by.
Directed with sleek, studied precision by Tarsem Singh—whose credits at the time were popular music videos: REM’s “Losing My Religion”; En Vogue’s “Hold On”—at every turn Singh, through the use of quick cuts, fractured and disembodied images and shaky, documentary style camera work, delivers more than Mark (Thor, I Am Legend) Protosevich’s stellar script calls for. He provides an over the top, state of the art auxiliary: a haunting collection of artful ideas and base images. Glossy depravity.
Aug. 30, 2014
Cher fans, I'm happy to announce that "Cher: Strong Enough" is now available on KINDLE.
Download your copy today!!!
Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies. Kimberly Fain; 2015.
June 26, 2017 / October 2, 2017
I'm interviewed in these two Closer magazine cover stories...
May 15, 2017
Writer Emil Sher's new children's book Away is a touching, funny and beautifully illustrated work inspired by my New York Times article "A Final Message From My Mother." Qin Leng's gorgeous watercolor illustrations capture Skip (my mother's nickname for me) and his Mom's special relationship. There's even a crazy cat in the story! Bravo!
Josiah Howard appeared on five episodes
of Unsung Hollywood.
Baad Bitches & Sassy Supermamas: Black Power Action Films. Stephane Dunn; 2008.
Oct. 10, 2014
An article I wrote two years ago for The New York Times is being re-published a THIRD time in Canada!
The current (Canadian) edition of Readers Digest (October 2014) contains a newly titled version of my original New York Times piece. Now called "Passing Notes" (the original title was "A Final Message From My Mother,") the story is the main article in the "Family" section of the magazine.
(Thank you, so much, to all of you who took the time to put pen to paper and write me personally!)
Historical Dictionary of African American Cinema.
S. Torriano Berry and Venise T. Berry, 2015.
Sept. 3, 2018
BAM (Brooklyn Academy of Music). Not an empty seat in the house for the screening of Wattstax! Thank you to all the Blaxploitation Cinema fans who showed up. YOU made this a special event!
Super Black: American Popular Culture
and Black Superheroes.Adilifu Nama; 2013.
January 10, 2015
During Cher's final performances at Caesar's Palace in Las Vegas the ($45.00) program I wrote for her was offered free to select seat fans at the theater!
August 7, 2018
I'll be introducing one of my all-time favorite blaxploitation films: WATTSTAX at BAM (Brooklyn Academy of Music). Wattstax is a 90-min. concert film released in 1973. Also known as the "Black Woodstock," performers include the Staple Singers, Rufus Thomas, and Isaac Hayes.The screening takes place at 4:30PM on Saturday August 18th, 2018...
"From The Mouth of Reality?" Truth, Illusion and Inescapable Symbolism in Blaxploitation Film. Ann Tyler Moses, 2013.
Detecting Women: Gender and the Hollywood Detective. Phillipa Gates; 2011.
International press for Josiah Howard's
"Cher: Strong Enough."
April 1, 2016
I have an article in the Entertainment Section of the current edition of The Las Vegas Tribune (March, 30--Apr. 5).
It's a tribute to "The Queen of Las Vegas" entitled:
"Lola Falana: Breaking Down The Walls."
July 3, 2018
A great day filming with ITC-TV for a series called "Autopsy"...
July 16, 2018
I'm pleased to announce a partnership with CINEMAOFSOUL.COM, the premiere source of information on black-action cinema. Cinema of Soul has licensed twenty film reviews culled from Blaxplotiation Cinema: The Essential Reference Guide. Visit the Press page for the link.
Oct. 30, 2014
Check out the online reviews (there are more than 50) of Eureka Video's "Blacula: The Complete Collection." (I wrote the 32 page booklet!)
The Blaxploitation Encyclopedia.
Freddie Anderson; 2016
Tuesday, February 12, 2019.
I'm looking forward to co-hosting a screening and participating in a panel discussion whose focus is "Uptight" (1968) with author James Robenalt in Cleveland, Ohio.
Baadassss Gangstas: The Parallel Influences, Characteristics and Criticisms of the Blaxploitation Cinema and Gangsta Rap Movements. By Dusitn Engels; Journal of Hip Hop Studies, 2014.
The Cult Film Reader. Ernest Mathijs and Xavier Mendik; 2007.
Larry Cohen: The Stuff of Gods and Monsters. Michael Doyle, 2015.
Hollywood Film 1963 - 1976: Years of Revolution and Reaction. Drew Casper; 2012.
Big Black Book of Blaxploitation. Soulemite, 2015.
March 2, 2019
Ohio was fantastic! A great time was had by all. Much thanks to Ms. Shayna Muckerheide for making it all happen.
"Cher: Strong: Enough" reviewed in the Sunday edition of Brazil's most circulated newspaper. ...
Boys, Boyz, Bois: An Ethics of Black Masculinity in Film and Popular Culture.
Keith M. Harris, 2008.
October 2 2018
Just finished my lecture at the University of Iowa. A giant thank you to Hannah Bonner and all the wonderfully engaged students for welcoming me. World, watch out: The Hawkeye State is home to the next generation of great journalists!
June 11, 2018
I was thrilled to be asked by the American Library of Congress to write an essay on Maestro Isaac Hayes. Visit the Writing page for the link...
September 09, 2019
Flapped my gums all day today for OVATION TV. A wonderful experience with Producer Heather Walsh and the crew (all over from Britain). This is a shot of me and the glamorous set--me in a "King" chair?! (But onscreen you'll just see my animated talking head!)...
Scholarly works that reference Blaxploitation Cinema: The Essential Reference Guide.T